Thursday, October 30, 2008

Why I continue to simultaneously hope for/hate all humanity.


Just this morning I discovered the BBC offers free language courses online! 'www.bbc.co.uk/languages'
[I'd make that an actual link, but for some reason I can't get blogspot to recognize the html.]

All-in-one Beginner's Courses, Video Introductions for listening/pronunciation, Learning Games like picture-vocab matchups & crossword puzzles, Test Yourself gauging, Grammar & Dictionary shortcuts, ways to find local classes, Useful Phrases & printable Holiday phrases for traveling.
There's even a section for you to offer your own stories and advice for others learning the language.
All of it free!

As I'm happily exploring the site (and thinking of blogging about my happiness in finding this new toy) I'm also reading one of several blogs I subscribe to; this one points out different pop-culture topics useful for sociological discussion.

Today's blog concerns an American organization called 'English First' at 'www.englishfirst.org'.

They're an organization advocating the adoption of English-only laws in the U.S., which would mean government agencies and officials would not be allowed to conduct any type of business in a language other than English. They also oppose bilingual education and bilingual ballots.

Check out the banner that tops their webpage:



Ironically, they use the upraised torch of a gift from France, 'La Liberté Éclairant le Monde' or 'Liberty Enlightening the World' (okay, now we call her 'the Statue of Liberty') as a symbol to "capture the spirit of immigrants who learned English". Nice. So much for enlightenment.

But what really pisses me off (while at the same time offers the perfect indictment you couldn't dream of topping) about 'English First' is that for an an organization concerned with foreigners somehow diluting the English language, and with people being unable to use the English language correctly they didn't even catch their own mistake in their own banner:

OUR SYMBOL IS THE STATUE OF LIBERTY TORCH CAPTURING THE SPIRIT OF IMMIGRANTS WHO LEARNED ENGLISH AND BECAME FULL MEMBERS OF AMERICANS SOCIETY


It really is an odd sensation to find yourself with two windows open, one offering free resources to learn foreign languages and about foreign cultures, and another offering resources (and incorrect grammar) on how to stop the spread of non-native speakers from spoiling 'our' language.



Sunday, October 26, 2008

"The biggest serial killer, we know, is God. The biggest."



The title of this entry is from the Director's commentary to "Fando y Lis" by Alejandro Jodorowsky, who is most likely the most 'artistic' artist alive. By the time he shot his first film, "FyL" in 1968 he'd already staged over 100 plays. Most of which were experimental, "Theatre of the Absurd" in nature.

He's also a novelist, poet, playwright, painter, musician, philosopher and lecturer. Even listening to his running commentary I only grok about half his references; god forbid trying to watch one of his pics without 'Cliff Notes', the guy's just too brilliant.

Oh, and his 1970 film "El Topo" is the film that created the 'midnight movie' concept.

This is from some late commentary in "Fando and Lis". I have kept his English in its Mexican-influenced vernacular. It may seem a bit 'Speedy Gonzales' to us ignorant Americans, but to be honest I bet his English is a shitload better than my , or your, Spanish, so I wouldn't mock if you can't correct him in his native tongue....

At any rate, from a brilliant artist comes a brief description of a moment of drug-induced satori. And one that ranks with any of the best Zen masters:


"In "The Holy Mountain" [1973], the secret producer was John Lennon. Through Apple Records they gave me the money. I had a lot of money.

With Oscar Ichazo, we made a contract of 17,000 dollars. He came to visit me in person to enlighten me of the 17,000 dollar deal. He stayed in Mexico in a big hotel, and he came to me.

I was waiting, trembling because he was going to give me enlightenment [of the value of the deal]. I was trembling - I will know all the secrets of the world!

He put his hands in his pockets and took a paper, and there was a powder in it - it was an orange powder. He said it was the best LSD. It was pure.

I went, "But ah! Never in my life have I had hallucinations." He said, "Now you will have. Take that." Then he put it in water; I drink.

After an hour he said I'd have hallucinations but I have nothing! And he said, "Wait, this is the best marihuana in Colombia." Then he made me smoke a joint and that was fantastic!

I smoked it in front of a big window and started to come all the history of painting - Van Gogh, Renoir... I was so happy to have hallucination.

But it was only a hallucination! That is like the circus, Walt Disney - it's a mystical Walt Disney!

And then he made me to look in front of a mirror, and in front of the mirror I see all my life. I get old; mummy. I have face of animals, I realize what a monstrosity was my body. I was an angel, a demon.

And then he said, "Go inside your heart." And then I went inside my heart and my heart was like an enormous golden cathedral, and I discovered it was my big friend - my heart was my big friend. It was not the instrument who would kill me, it was my eternal big friend.

And I came to a sky of pure light. And then I wanted to continue, but my master was snoring. He was very too tired.

And then the snoring of the master was the ultimate truth!"


Tuesday, October 21, 2008

"Meet ROVIO"


Back in the late '80s OMNI magazine had an article about the different ways future-tech would let us explore our world. One of their concepts was for a robot with sound & vision capabilities that you accessed remotely.

Instead of spending the time & energy to physically drag your carcass around the world you'd get to experience it all from the comfort of your couch. Instead of going to Paris, or Peru, or Papua New Guinea you would rent for a few hours a robot that would allow you to stroll the Champs-Élysées or scale the Great Pyramid of Cheops or go diving on the Great Barrier Reef.

ROVIO isn't quite that robot. He's 'tethered' by your wireless network and seems more designed to scare your pets than actually let you "be in two places at the same time" (as they keep repeating on the website).

But I can't help thinking we're slowly getting closer to the 'flying cars' future our culture's always promised is just around the corner. I guess that's what I find intriguing about science fiction, the slide from the 'fiction' side to the 'science' end of things.



Saturday, October 18, 2008

"Diane, there are few things in life as simultaneously charming and disturbing as a close examination of the American diet."



Went out to Twin Peaks the other day (Snoqualmie & North Bend for those who don't know what I'm talking about) to take some pictures. After a nice conversation on Ronette Pulaski's bridge with some TP tourists from Edmonton, Canada (!) I drove back to the Double R for the requisite coffee.


Twede's has gone through several incarnations since '89 when it was used by Lynch & Co. as the Double R Diner. Its current version features an expanded menu including (along sides the $4.95 slice of Cherry Pie) a list of ''50 Burgers A to Z'':


Click on the menu picture for a larger version, and browse the many wonderful inventions. They range in price from around $9 up to $16.25 for the Whoa Baby; ''1 whole pound of beef on an 8" bun, with cheddar, lettuce, tomato, and mayo."

But my favorite (and the one I ordered again this time) is the Peanut Butter and Jelly. That's right, pb&j on a burger.


The waitress who took my order kind of laughed while saying "you'll like it!"

When she returned later with it she said to let her know what I thought. I told her I knew I'd like it as I'd had one before. She looked a little puzzled and asked "really?!"

I guess it's something people order out of curiosity, or on a dare, but not something they come back and order because they like it.

(If you look close you can just see a bit of peanut butter sticking out from under the jelly.)

It actually taste a lot better than you'd first imagine. Keep in mind most barbecue sauces use maple syrup or brown sugar; the jelly works the same on a burger. And peanuts, like most nuts, have a somewhat meaty flavor anyways, so the peanut butter blends nicely with the beef.

I'm not sure why they give you the pickles though, that would just be gross.




Thursday, October 16, 2008

Heroes are hard to come by these days....



This guy so makes my fucking list.

From the Stranger's Last Days column by David Schmader:

TUESDAY, SEPTEMBER 30, 2008
The week continues with the amazing crime saga that commenced this morning outside a Bank of America in Monroe, Washington, after a man wearing a dark blue shirt, jean shorts, and a dust mask pepper-sprayed an armored-truck guard, seized his bag of money, then ran 100 yards to the Skykomish River to make his escape on an inner tube.

Further amazing details come from KING 5, which confirms today's robber not only had serious inner-tubing skills, but also was a dynamite planner:

"In case anyone was hot on his trail, he had at least a dozen unsuspecting decoys waiting nearby, which he recruited on Craigslist.
'I came across the ad that was for a prevailing wage job for $28.50 an hour,' said Mike,
who saw a Craigslist ad last week looking for workers for a road-maintenance project in Monroe. He said he inquired and was e-mailed back with instructions to meet near the Bank of America in Monroe at 11:00 a.m. Tuesday. He also was told to wear certain work clothing. Yellow vest, safety goggles, a respirator mask... and, if possible, a blue shirt.'"

Investigators continue to search for the flash-mob-inspired bank robber, described as "a white man in his 20s, between 5-foot-7 and 5-foot-10."

More info from the Seattle Times can be found here:

Did inner-tube robber use Craigslist in heist?
Monroe police are searching for a man who robbed an armored-car guard Tuesday morning then fled with the money — down the Skykomish River on an inner tube.
http://seattletimes.nwsource.com/html/nationworld/2008217929_robbery01m0.html

Seriously, this made my day!



Tuesday, October 14, 2008

"Drinking Alone by Moonlight"



Drinking Alone by Moonlight
by Li Po, circa 750 A.D.
(translation by Arthur Waley, 1950)


A cup of wine, under the flowering trees;
I drink alone, for no friend is near.
Raising my cup I beckon the bright moon,
For her, with my shadow, will make three people.

The moon, alas, is no drinker of wine;
Listless, my shadow creeps about at my side.
Yet with the moon as friend and the shadow as slave
I must make merry before the Spring is spent.

To the songs I sing the moon flickers her beams;
In the dance I weave my shadow tangles and breaks.
While we were sober, three shared the fun;
Now we are drunk, each goes their way.
May we long share our eternal friendship,
And meet at last on the Cloudy River of the sky.


Monday, October 13, 2008

"In Defense of Dignity" Dan Savage on the "Death with Dignity" Ballot Measure


http://www.thestranger.com/seattle/Content?oid=691855


I am reposting this article by Dan Savage in it's entirety, without permission, because I think everybody should read it, and I want to get it out there for people to see. Not only is it a fine example of modern Gonzo journalism, it expresses the way all intelligent people should address the subject of assisted-suicide more succinctly than any I've seen.

Dan Savage is a writing pimp. It's tragic what he & his family had to go through, but it's inspiring he was able to write about it with both passion
and intelligence. (And he's also the only Editorial Director at a national paper who's got the balls, in this day & age, to write "Fuck your God" in a lead article.)

You may not agree with his opinion, you may be offended by the way he writes. But you have to respect his position, and you will be forced to address your own feelings on the subject & what you may face with members of your own family one day.




In Defense of Dignity

I Hate to Play the I-Just-Watched-My-Mother-Die Card—But, Um, I Just Watched My Mother Die

by Dan Savage


I would need the room for a week. That's what I told the front-desk clerk at the Extended Residence Stay America Whatever when I checked in that Sunday night.
At least a week, I said, maybe longer.

My mother had already been in the hospital across the street for nearly a week by the time I arrived in Tucson. She was no stranger to hospitals over the last few years. She'd wake up to find that her breathing was more difficult, or that some new infection was exploiting her weakened immune system, or that some new debilitating side effect from the powerful drugs that were keeping her alive had emerged. My stepfather would rush her to a hospital, and she would come home a few days later having accepted some previously feared development—being hooked up to an oxygen tank, having to use a walker—as her "new normal."

The plan: I would stay in Tucson for three or four days and help my stepfather and aunt look after my mother. Then my brother Billy would fly in from Chicago, take over the helping-out duties and my hotel room, and we'd figure out what to do next.

Before going to the hotel on Sunday night, I got to play cards with my mother and read with her, and things were looking less grim than they had when my aunt called me in Seattle earlier that day and told me to get on an airplane. My mother wasn't getting better, but she wasn't getting worse.

My mother had pulmonary fibrosis, a degenerative lung condition, and we knew enough about the disease to know that dramatic turns for the worse were a possibility. She knew that pulmonary fibrosis would eventually end her life, and she'd done some research into just what sort of an end she could expect. It wasn't going to be pretty. Her lungs were gradually filling with scar tissue. She would, when her time came, slowly and painfully suffocate to death over a period of hours or days. But eight weeks before she wound up in a sprawling, dung-colored hospital in sprawling, dung-colored Tucson, my mother's doctors had given her two to five years to live.

She'd recently marked the five-year anniversary of her diagnosis, an anniversary very few pulmonary fibrosis sufferers live to celebrate. She was terrified, as her fifth anniversary approached, that she wouldn't "beat five." But her spirits lifted when her anniversary came and went, and her doctors gave her years, not months or weeks, to live. That's when she decided to go on this trip with her husband, driving to California and New Mexico and Arizona. She was looking forward to attending her first grandson's high-school graduation, her grade-school class's 50th reunion, a Broadway show.

The Seattle Post-Intelligencer's Joel Connelly has written several columns—and several thousand words—blasting Initiative 1000, the November ballot measure in Washington State that would make it legal for physicians to prescribe lethal doses of medication to terminally ill patients. Connelly doesn't like the measure because he believes the purpose of a "democratic society" is to "safeguard and enhance life, especially among the youngest, the weakest, and the suffering"; because he worries that the movement might next "seek to expand conditions for the legal ending of life, as has been done in the Netherlands"; and because out-of-state money has been collected by supporters of Initiative 1000.

"Should Washington be a launching pad for a movement that seeks to transform a crime into a 'medical treatment'?" Connelly thunders.

KUOW has been covering the debate over I-1000, too. In a recent report, two widows were interviewed about the deaths of their husbands. After watching their spouses die, one widow planned to vote for I-1000 and the other planned to vote against it.

The woman voting for the initiative—whose husband died of brain cancer—wants terminally ill people to have a choice at the end of their lives, a choice to end their suffering and hasten an inevitable, rapidly approaching death. The woman voting against the initiative wants—well, she wants what we all want. She wants to have a good death, a peaceful death, a death like the one her husband, um, enjoyed.

"I would like to be enveloped in the love of a good caregiver I would get," she says.

Don't we all want that kind of death? Wouldn't it be wonderful if each of us could enjoy a Hallmark death? Wouldn't it be ideal if each of us passed from this life into the next—aka "the void"—enveloped in the love of good caregivers and under the care of competent "pain management" professionals? But not everyone is so lucky. Some of us have to endure deaths that are gruesome and protracted and excruciatingly painful, deaths that involve pain that cannot be "managed," deaths that our loving caregivers can only stand helplessly by and witness.

"You don't know how you're going to feel at the end of your life," the widow planning to vote for I-1000 says. "I want to have the choices available to me."

Choices.

Exactly. If I-1000 is approved by Washington State voters, the widow opposed to the initiative will not be compelled to end her life with the assistance of a physician. She can choose pain meds and the love of caregivers and die a "natural" death. (What's so "natural" about pain management anyway?) But if I-1000 is rejected, the widow who plans to vote in favor of it will not have the same choice. She will not be able to choose to end her life, and end her suffering, if the pain becomes too much for her to bear.

That's what the debate about I-1000 is really all about: your body, your death, your choice. The passage of I-1000 doesn't impose anything on terminally ill people who reject physician-assisted suicide for religious reasons. But the rejection of I-1000 imposes the values of others on terminally ill people who would like to make that choice for themselves, who should have a right to make that choice for themselves.

And, I'm sorry, but there's nothing about physician-assisted suicide—or, as it should be called, end-of-life pain management—that precludes the presence of loving caregivers. You can be surrounded by love and have access to the best medical care available and still conclude—reasonably and rationally—that you would rather not spend the last few moments of your life in blinding pain or gasping for breath or pumped full of just enough morphine to (hopefully) deaden your pain without deadening you.

On Monday morning, after eliminating all other possibilities (a virus, pneumonia, some rare desert fungus), a doctor pulled me and my stepfather out of my mother's room. They were out of options. Nothing more could be done. Her battered lungs were failing; one had a widening hole in it. Amazingly, the doctor didn't say, "It's over, this is it." He laid out the facts and we stared at him dumbly for that world-without-end moment, and then one of us—my stepfather, me, I don't remember—finally said, "So this is it?"

The doctor nodded.

We somehow managed to hold it together, me and my stepfather. We didn't have the luxury of breaking down. He stepped out of the intensive-care unit to tell my sister and my aunt the news, to confer about how we would break the news to my mother, and to call a priest. I stepped back into her room to sit with her, to hold her hand. I didn't tell her what I knew; it wasn't my place. I would sit with her and wait for my stepfather to return.

Suddenly, the doctor was at the door to my mother's room again. He waved me out into the hall. He needed a medical directive. Immediately. Her vital signs were tanking. If we were going to put a tube in her, and put her on machines that could breathe for her, it had to be now. Right now. So it fell to me to walk back into my mother's room, tell her she was going to die, and lay out her rather limited options. She could be put under and put on machines and live for a day or two in a coma, long enough for her other two children to get down to Tucson and say their good-byes, which she wouldn't be able to hear. Or she could live for maybe another six hours if she continued to wear an oxygen mask that forced air into her lungs with so much force it made her whole body convulse. Or she could take the mask off and suffocate to death. Slowly, painfully, over an hour or two.

It was her choice.

"No mask," she said, "no pain."

Her nurse promised to give her enough morphine to deaden any pain she might feel after my mother made her choice: She would take off the mask. She would go now. I told the doctor and then ran sobbing—no longer trying to hold it together—into the waiting room to get my stepfather, my sister, and my aunt. Things were worse than they were five minutes ago. Get in here, I said, get in here now.

We said our good-byes—doesn't that sound dignified? But her mask was still on and her body still convulsing. Good-byes reduced my affable stepfather to wracking sobs; good-byes sent me and my sister falling to the floor beside our mother's deathbed. We held a phone up to my mother's ear so she could hear one of my brothers shout his good-bye over the whir and thump of the oxygen machine, while we tried desperately to get my other brother on the phone.

In the midst of all of this, a hospital orderly breezed into my mother's room and handed her a menu to fill out for tomorrow's meals. It was a staggering blow, this sudden and unwelcome reminder that tomorrow was coming and my mother wouldn't be part of it, and it felt like we had all just been punched in the stomach. After a this-can't-be- happening pause, my stepfather rose from his chair and barked so loudly at the orderly that she dropped the menu, which fluttered to the floor under my mother's bed.

Then my mother was ready. The mask came off, she held tight to our hands, and the morphine went in. Her grip slackened. My mother was still alive, in there somewhere, beyond our reach. Was she in pain? We don't know. She couldn't talk to us now, or focus on us, but she was awake, her eyes open. She gasped for breath, again and again, and we sat there, traumatized, waiting for her heart to stop, waiting for the very first sound that I had ever heard—my mother's heart beating—to go silent.

People must accept death at "the hour chosen by God," according to Pope Benedict XVI, leader of the Catholic Church, which is pouring money into the campaign against I-1000.

The hour chosen by God? What does that even mean? Without the intervention of man—and medical science—my mother would have died years earlier. And at the end, even without assisted suicide as an option, my mother had to make her choices. Two hours with the mask off? Six with the mask on? Another two days hooked up to machines? Once things were hopeless, she chose the quickest, if not the easiest, exit. Mask off, two hours. That was my mother's choice, not God's.

Did my mother commit suicide? I wonder what the pope might say.

I know what my mother would say: The same church leaders who can't manage to keep priests from raping children aren't entitled to micromanage the final moments of our lives.

If religious people believe assisted suicide is wrong, they have a right to say so. Same for gay marriage and abortion. They oppose them for religious reasons, but it's somehow not enough for them to deny those things to themselves. They have to rush into your intimate life and deny them to you, too—deny you control over your own reproductive organs, deny you the spouse of your choosing, condemn you to pain (or the terror of it) at the end of your life.

The proper response to religious opposition to choice or love or death can be reduced to a series of bumper stickers: Don't approve of abortion? Don't have one. Don't approve of gay marriage? Don't have one. Don't approve of physician-assisted suicide? For Christ's sake, don't have one. But don't tell me I can't have one—each one—because it offends your God.

Fuck your God.

They gave my mother some more morphine—not enough to kill her, only enough to deaden the pain while her lungs finished her off. Still: Was she in pain? I'm haunted by the thought that she could have been in pain—the pain we promised to spare her—but had no way to tell us, no way to ask for more painkillers, no way to let us know that she needed us, that she needed our help, that she needed us to do whatever we could to hasten her inevitable death and end her suffering.
I don't know what my mother would have done if she had had the choice to take a few pills and skip the last two hours of her life. She was a practicing Catholic. But she was also pro-choice, pro–gay marriage, pro–ordaining women. If she could've committed suicide, by her own hand, with a doctor "assisting" only by providing her with drugs and allowing her to administer them to herself, after saying her good-byes, I suspect she would have done so, so great was her fear of dying in pain.

I do know that she should have been allowed to make that choice for herself. It's not a choice that Joel Connelly—or the Catholic Church—had a right to make for her.

I also know that, if my mother needed my help, I would've held a glass of water to her lips, so that she could swallow the pills that would've spared her those two hours of agony.

And that shouldn't be a crime.



Monday, October 6, 2008

From this week's Christian snakeoil salesmen:


I have no problem with other people being religious. I don't have a problem with others trying to spread their beliefs. I don't even have a problem with them trying to swindle money for themselves in the name of their gods.
In fact, it can be a regular source of entertainment, as this week's ransom note of 'money-in-exchange-for-prayer' will show:


(Click on any picture to view larger image.)



"CHOOSE JESUS AND HEAVEN OR..." "SATAN AND ALL ETERNITY IN HELL"

Lyle Lovett as Joseph K. is having a real hard time wrestling with this one. Tough choice, I guess.
Nice suit, though.




This one is absolutely delightful.
—First off, the font used for 'LIFE' and 'DEATH' is clearly the same san-serif one used for LIFE magazine, subtly providing a classic Americana context.
—Secondly, in the first panel Hippy-Jesus is treated like a lowly intern, to be dismissed with a frown and a 'talk to the hand'.
—Thirdly, in the second panel the dialogue between the two is so incongruous, with O. Foolish sounding like a heaving-bossomed heroine from a Harlequin Romance, and Death sounding like a slightly annoyed cube-temp.
—And finally, the overall mix of eras presented is just charming. O. Foolish is clearly a businessman from the 50's (back when smoking at your desk was healthy for you), what with his fountain pen & bow tie , yet he's got a computer with a mouse and stereo speakers (the better for emailing Mrs. O. Foolish Man at home in the kitchen about going out bowling with his fellow Elks?).







This Return Card has a postmark to God, with instructions for him that rank up there at the "affix Extra Savings sticker to Return Card" level.
And I know God is everywhere, but I mean come on, these cards get sorted by the US Post at, like, 30 a second....is He really going to notice this?






And finally, I include the first page of their 4-page rambling only for the salutation. It is wonderfully direct and diffuse at once:

"WE HAVE SOME VERY GOOD NEWS FOR YOU."
"...THE GREATEST AND MOST WONDERFUL MONTHS OF YOUR LIFE."

Followed up with:

"Greetings in Jesus' Name to Someone Connected to this Address."


Heavenly.


It's nerdy & childish & offensive & makes me laugh.



Sue me.

Thursday, October 2, 2008

Gotta admire the marketing:



For the functioning alcoholic (er, like me) who's concerned about his carbon-footprint (ha! so not me)....


The world's first Eco Luxury Vodka
[their words, not mine]






From the label:

  • 100% Post-Consumer Resin Bottle & Unique Recyclable Cap
  • Vodka Distilled for Optimal Eco-Efficiency
  • Labels Made from 100% Post-Consumer Paper & Water Based Inks


    From their website (vodka360.com):
  • The "green" packaging that surrounds 360 Vodka is the utmost in eco. Our Eco-Audit details the environmental benefits of the packaging.
  • 360 Vodka is crafted from a philosophy for eco-awareness and corporate responsibility. This ideology is then manifested throughout our greener process and greener products.
  • The vodka in every bottle of 360 is Quadruple Distilled through a highly energy efficient process, with every bushel of grain being fully utilized and nothing going to waste. 360 is also Five Times Filtered and produced in a facility that has improved its eco-footprint measurably over the past 5 years.

    • I feel better about my drinking already....